rust was the death of us
oxygen and iron
weather and time
hundreds of holes
have been patched
and painted over
restorations aren’t made
of well-meanings
but of follow-throughs
and time-committed
we were not
the timeless classic
we set out to be
admit it
we’ve both been driving
other cars for years
our weakened frame became
overgrown by weeds
and nesting birds
while rust spread
under the belly of us
First published in Cadence Collective.
We keep gnawing at roots
sopping in alcohol.
I am full. You still starve.
You want me bath-soaked,
I need you tree hollow.
So I tear at your bark skin
until you bleed spoiled sugar.
Open my fingers and peel sunset
leaves from my palms.
Spit the pulp from my tongue,
lay it flat into perfect white rectangles,
press out every last drop of rain.
Let sunlight inhale what’s left.
Even your teeth hate
how little I want to kiss you.
As you wither, I fold you in half,
crease your edges. Nose you forward.
Refuse to watch what happens next.
First published in Paper Plane Pilots.
I will give to you my lifesaver. You who are sinking in the ocean
alone. I didn’t see you diving over the edge, but you say you want
to sink under, feel the weight of ocean crush your chest. I know it
gets exhausting. I know because when I dove down as deep, I grew
gills. It was dark for so many years I stopped believing in sunlight.
Breath is memory. You will remember how music makes you dance,
but water keeps it from you. You can’t move through currents like
hallways. You, gill growing boy. I keep throwing down ropes but you
are not done sinking. You still need the weight, so I will wait for you.
Watch you from the surface while you walk ocean. I don’t know
when your arms will grow strong enough to pull yourself up, so I
give you my pen. Write me letters. Send them up on rays of sunlight.
I will keep them at my heart until you are ready to surface.
First published in Paper Plane Pilots.
You were so damn handsome
in nineteen forty-two.
Dark hair and brown eyes
and that long Swedish nose.
You always stood upright,
taller than your own frame,
Navy man in an impeccable uniform.
Your native tongue was Testament
both the Old and the New,
always dressed in humble blue jeans
and that humble plaid shirt.
I was enamored with you—
we all were, the fruit of your offspring.
I laid at your feet and
pulled on your long eyelids.
The silver-gray brows hung like
eaves from your Swedish forehead.
You taught me calculator tricks,
I thought you brilliant and soft-spoken.
I loved the way your words trickled
out like a creaky faucet,
vowels lingering around the spigot.
I never believed in Santa Claus
so I believed in you,
in a man of few words
except what Jesus spoke.
When I remembered you,
you lived in a trailer-shack
on an orphanage in Mexico.
We would drive four hours
to see your leathered hands
and oil stained fingernails.
Then I grew up, just like three
of your five daughters.
I became a boy-kissing girl
with breasts and summer legs.
(Did they all disappoint you like this?)
The man who married your middle
child gave me his green eyes and more
than half of my bad memories.
So I looked to you to show me
your God’s unconditional love,
but you had no words—
I could not make you creak.
Instead you typed letters
on a silver-gray typewriter,
single and mechanically spaced.
There is no treasure here on Earth
but store all your treasure in Heaven.
Love not this world or anything in it.
Love not the woman who wants to be held.
Love not the girl who wants to wear lipstick.
Love not those who want to love this life,
who love their physical bodies,
and the pleasures of this Earth.
Ten typed pages sent as a reply—
verse by verse you sentenced me
to my worldly life, an unchosen child.
Love me not, my holy grandfather
for I was born the child of your daughter
who also once believed in you.
So, I turned your faucet off tight—
we all did. Your spigot left dark and dry.
Previously Published in Elsewhere Lit.
Sarah Thursday 