Poetry · 2010s

Some Haphazard Line Tied onto a Kitchen Table

Be here. Be centered. Be a girl on the verge of everything.
Be the wrong kind of naive. Be the wrong kind of experienced.
Be nestled in pine bench seats. Be as bright as fluorescent bulbs.
Be a mother cooking spaghetti. Be ducks in blue flower tiles.
Be a wall telephone, spiral cord stretched for miles. Be a
pimpled-faced teen. Be a former homeless child sleeping
in her own room. Be dancing on clean white sparkled
linoleum. Be a shy step-daughter. Be a visiting sister
towing another man behind. Be glass tabletop,
chipped edges for all night D&D. Be a pile of
endless dishes. Be cooking sherry snuck by
seventeen-year olds. Be cartoons. Be drawn
on the refrigerator door. Be gaping windows.
Be a kind of glue. Be her best memories.

First published in Like a Girl: Perspectives on Feminine Identity.

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2010s · Poetry

How Quiet Kills

I speak you to the wind
and she carries the notes
of your name to the sky
I stand, hands empty
waiting for god
to speak you
back into my chest
but there is only
white
noise
blurred whispers
of everything
layer upon layer
of sound traffic
I speak again but find
no voice, no music
just cold
hands
open

First published in Spectrum: An Anthology of Southern California Poets.

2010s · Poetry

If Poetry Is Parked Car

My heart is bottom-pink
and raw, not knowing
how many beats to give
beats to exhale

All words crowd into the soft
spaces, roof of my mouth
cutting inside cheeks
rolling off lips

All quiets are questions
my voice too loud
my hands too clumsy

How do I protect you
when I’ve just been born?
When my spit edges
in the corners of your drink?

I’m dumb, backseat fumbling
legs over knees
arms over shoulders

If my skin in moonlight
is softest, how do your hands
melt into my scars?

First Published in Carnival Lit.