2010s · Conversations with Gravel · How to Unexist · Poetry

Mouth of Fireflies

What God there was in me saw
the God there was in him,
and it was beautiful.
-Amélie Frank

he speaks floating sparks of light
and lights a thousand eyes around him
he won’t follow their leaving paths
throws them out and lets them land
like seeds he’ll never see grow

I chase the fireflies of his mouth
the ones that miss their mark
I want to catch them in jars
drink them to kill my own night-growing
they sky-float beyond my reach
past the dim canopy of city light

I once drank him like a fountain
my wet lips glowed for days
my eyes shone too bright for sleeping
maybe I only dreamt him at my mouth
since the universe won’t return him
it steals his beauty for dreamers
and says, light your own fire

first you must crack your ribs
break them into brittle shards
cut your palms in your own grasp
next you must rub the sticks
of your rib bones fast
do this all on the inside
then sing out to the dark unknowing

your sparks aren’t made for eyes
your sparks are made to burn hunger
burn the ache in their bellies
throw them out like seeds
don’t wait for them to grow

First published in Cadence Collective.

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2010s · Conversations with Gravel · How to Unexist · Poetry

How to Unexist

Go from friend to flirt to lover. Do it fast and without remorse. Stay lover for days or weeks until you become mistress. Be a good mistress until you become secret. Stay secret until you lose the key to his car. Then become lie, not a lie you’ve told but be a lie. Stay lie until your fingers break and you can no longer touch. Then become weight around a neck. One to be carried as heavy as regret. Stay weight until you become formality. Then, become cordial. Become a multiple choice response of hello, how are you, I’m fine, you’re fine, we’re fine, everyone is fine until your fineness becomes echo. Stay echo while you begin to scrape your insides out. Pull out blood vessels. Pull out gut, fat, and muscle. Pull out bone. Lick it clean. Save your heart for last. Let it feel every ounce emptying. Then become translucent. Become as clear as ice so when he looks at you he sees nothing. Hears nothing. Feels nothing. Stay clear until you become forget. Become forget until all previous days dissolve. Stay forget until it never was. Until you are not even ghost. You are just not. Just no.

First published in Cultural Weekly.

2010s · How to Unexist · Poetry

Dancing with Damage

Sometimes I let Damage win.
We’ve been wrestling for days
on the edge of my teeth.
No matter how much hair pulling
or ear biting, sometimes
I give in.

I curl up like a small child
and lie in her bony lap.
Some may say I wear her
like a cross on my back,
but she’s the one wearing me,
wraps my heart around her like a cape,
splits my head across her knees
using them as shin guards.

As a child, she ran me
like a bully-sister,
warded off the boys
like Buffy with her stake.
She kept all my keys under her tongue
clenched by pit-bull teeth.

I learned to pick my battles.

She can sleep for weeks at a time
in her coffin-bed night.
That’s when I dance all night,
swim moonlight-naked,
run head-first for love,
and make no more apologies.

When she wakes again, she yanks me down,
my legs kicking–my fists punching. I thought
I was done with her. I thought
we’d shared our last breaths–
but we’re here again, now.

So I let her pull me into her embrace,
crying like a knee-scraped school girl.
Then, after a while, D and I lie on our backs,
listen to records as loud as we can,
and sing along until our throats hurt.

First published in On the Grid Zine.

2010s · Conversations with Gravel · How to Unexist · Poetry

Love Letter No. 3: To My Mending Self

You may begin to miss the grieving
the adrenaline heart thrashing in your ribcage
the coughing lungs asking permission to breathe
You may begin to hear all the quiets
humid silence scratching
each day confirming
this is it
this is all it will ever be

You may begin to miss the panic of hope
tangled in his kite strings
miss the fight, the battle, the bruise
miss kissing blood from rope-burned hands
You may begin to sleep through the night
to lack rebuttal
to forget to answer back

You may begin notice
the crevices in your wrists
the uneven scurry
of a black beetle across concrete
notice the sound of lead scraping paper
how it curls to the rub of an eraser
disappears like it was never there
to begin with

First Published in Indiana Voice Journal.

2010s · Conversations with Gravel · How to Unexist · Poetry

Girl in Flight

I envy the girls
with light filled wings
They fly from breeze to breeze
pouring beams from their teeth
All men audience them
eat their smiles like candy
They breathe in love—
they breathe out love
No man ever
centers their universe

I could not be that girl for you
one with laughing eyelashes
smooth cheeks glossed
for kissing and leaving
kissing and leaving

I am unwinged, gravity locked
in oceans—not sky
teeth for crushing chains
eyes fire-fed
to burn through hurricanes

My love is anchor
my love is whale song
my love is sandpaper grit
galaxies inside pearl
volcanoes under mountain

My love does not breeze—
but tunnels into mantle
burrows into core
You want a girl in flight
laughing eyelashes
but I am unwinged gravity

First published in Indiana Voice Journal.

2010s · Conversations with Gravel · How to Unexist · Poetry

What I Mean When I Say Run

Get out, get out
and into the world
a woman like me
would tie your hands with ropes
and hang them from her hips

Get out while you can
and let the wind carry you
a woman like me
would climb from under your boots
and into your pockets
lay you down heavy on her bed
just to rise above you

Get out and wander
be a wild bird
a woman like me
would clip your song feathers
and stuff them in her mouth
just to have your voice
seeping from her ears

Get out and make no promises
don’t even say you won’t
a woman like me
hangs on open window sills
burns her eyes on the driveway’s end
holds all your words
like collected seashells
in her cupped hands

Get out and go far
take no existing path
a woman like me
would strip you naked
press you inside of her
memorize the turn in your face
in the dim light
she’d reach in and pull
all the strength you have left

Get out
She’ll want to cut rings
from the center of your eyes
and string them like beads
around her neck

Get out
She’ll envy the breath in your lungs

Get out
She’ll put a straw to your mouth

Get out
She’ll want you empty

Get out
She’ll drain you cold as death
just so she can pour her blood
into your veins

First published in Indiana Voice Journal.

2010s · Conversations with Gravel · How to Unexist · Poetry

Elephant

We dance under the belly of the elephant
Not the dance-floor dance, but the slow move
around the words we won’t say
Move in and out of her shadow
Her dark cast allows our mouths to press our breath
around it, around the letters lost in open windows
I want you to press me full against elephant legs until
deep grooves of skin catch light
Her skin is your skin and the skin of your children
heavy with memory, pachyderm heavy
She shifts her weight and I wait for you to name her
call her out of decades, twenty-two years
You push off one finger to the other hand but
there it is in simple gold elephant eyes
Will you step out from under her
I cannot lean crouched here
swaying to your resonate voice
to the arch of your teeth
to the groove of your sleeve soft
underneath my fingertips
sliding down corduroy red

First published in velvet-tail.

2010s · Conversations with Gravel · How to Unexist · Poetry

Paper Airplane

We keep gnawing at roots
sopping in alcohol.
I am full. You still starve.

You want me bath-soaked,
I need you tree hollow.
So I tear at your bark skin

until you bleed spoiled sugar.
Open my fingers and peel sunset
leaves from my palms.

Spit the pulp from my tongue,
lay it flat into perfect white rectangles,
press out every last drop of rain.

Let sunlight inhale what’s left.
Even your teeth hate
how little I want to kiss you.

As you wither, I fold you in half,
crease your edges. Nose you forward.
Refuse to watch what happens next.

First published in Paper Plane Pilots.

Books · How to Unexist · Recordings

How to Unexist

Featured Image -- 1122New CD/Chapbook!

Sadie Girl Press

Limited edition poetry with CD and chapbook, How to Unexist, by Sarah Thursday with music by BobKat. 12-track album, recorded and mixed by Blacksheep Music, with 20-page, full color, mini-chapbook. Art by Lynn Azali. Available online only through the Sadie Girl Press Bookstore.

“How to Unexist is no easy listen. Drawing from intensely personal reflections, the 24-minute album is a raw, articulate journey through Thursday’s psyche amid pain, heartbreak, self-acceptance and cognizance. Her cutting delivery doesn’t pander or add flair; the poet’s voice is truthful and clear. Juxtaposed with BobKat’s ambient soundscapes—largely improvisational layers of rhythmic acoustic guitar riffs, fiery violin melodies as well as some horn, bass synths and mandolin—her words sink with impact.” Esther Kang, Long Beach Post

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