2010s · Poetry

Suffocation Is Anxiety’s Friend

she says
I have paper bags in my throat
she says
I am coughing up light
she says
mother is recycled pulp
she says
he filled them with his shredded drafts
she says
paper-cuts are her father’s tongue
she says
she speaks around them, crumpled masses growing acid soft
she says
sleep was the first lover who left
she says
mother is glue-handle secure
she says
she’ll swallow stones to make them pass
she says
bags will either suffocate or fuel brighter flames
she says
salt-pulp are her father’s hands resting on her shoulders
she says
she’ll wrap her mouth in brown silence
she says
coughing aches her ribcage
she says
I am emptying light

First published in Incandescent Mind: Issue Two.

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2010s · Poetry

Reset the Clock

They shut off the power
in my place today
and I wonder
what’s the point
of resetting the clock
on my microwave.
I think the internet
should have a sign that reads:
It’s been _____ days since
the last innocent life
has been murdered
in cold blood
standing in the street,
lying on the ground,
sitting in a jail cell,
strapped in a seatbelt,
pressed under the knee
of a cop begging mercy,
begging for mother,
begging spare my children,
holding hands up
high in the air, reaching
for the same God
we are all supposed to be under,
right hand crossing hearts,
pledging allegiance
to the United
States of America
still afraid of its own blackness.

First published in Resist and Shout (Lucid Moose Lit).

2010s · Conversations with Gravel · Poetry

Damsel

I will never be damsel enough
to be claimed victory by savior
the way he swoops down
in her destroyed
sword out and crowned
I am without tower
without step-mother plotting
I need lover like home
not savior
not prince
I need lover like foundation
under bare feet

First published in work to a calm.

2010s · Conversations with Gravel · Poetry

To the Men who told me my Love was not enough

1. They told me with their hands

the first man I loved used his hands to pull down
my panties without asking
I had loved him without question
his carpenter hands
rough against my abdomen
my five-year-old heart was
blackhole becoming

2. They told me with their mouths

the second man I loved used his mouth
—when I gave him my free forward,
my unrelenting, my wide-open
when his empty was filled
with the red vacuum of my sex
he mouthed “I still love her”
and the her of me was vacated

3. They told me with their silence

the third man I loved used his tornadoed
soul against my earth-bed body for landing
then he pulled his sleeve up to his wrist
and wiped my name from his eyes,
rubbed my wetness from his now-landed
—took his relit fire and left
my heart, soot-thin
and never

First published in work to a calm.
Nominated for a Push Cart Prize.

2010s · Conversations with Gravel · Poetry

Crescendo or What I choose to remember

The last time was unremarkable.
The last time with him was ordinary
in its duration, its position, its intensity.
That is to say it was one more time before
he was off to work. One more time being
that it was the second time that morning.
The first-time being everything the last
should have been. The first time that morning
was consumed starvation. Being that he made
my body forget gravity. The first-time being laid
gasping off the side of the mattress.
It was the culmination of months abandoning.
The synchronicity of his chest against my shoulder
blades. The last time he set me alter high
and drowning in his sweat. The last time he’d fuck
anyone else on that mattress. He left me in love
with college boy sheets and summer fans
in November. The last time was a muted sigh.
The first time being crescendo. Arms tangled
in thighs. He refused to have me exhale
on his behalf. Being that he made my body
forget about gravity.

First published in work to a calm.

17 Poems Not About a Lover · 2010s · Conversations with Gravel · Poetry

I will not apologize

for not being
soft-lipped
doe-eyed
for not laughing
at all your jokes
and if I put my hand
on your shoulder
it will not be an invitation
if my fingers linger
which they will not
you will not have the rights to me
to my round parts
to my fullness
against your bare bones
I will not apologize
for not being
giggle-light
batted-lashes
but more
teeth barred
and fist clenched
my gaze always at the door
on the clock
holding breaths
waiting
for you to learn
my name is not prey

First published in Al-Kemia Poetica.

2010s · Conversations with Gravel · Poetry

What I Mean When I Say We Can Talk Without Poetry

When I dance for you and our knees brush at the bar, we begin to forget. The more I think about the space inside your coat, the more you learn the names of my favorite drinks, we stop saying them. Words like wife. Words like marriage. We become teenage-nervous where mouths cannot form words like separation. All I know is giggle and heart-dotted-i’s. We are back at the edge of unknowing. Where our grownup selves are strangers we might not want to meet. You use the word awkward when I give you a book on a poet’s divorce. You are a teenaged father all over again. Except your children are leaving now, one-by-one. You regress a decade for each one. If I am fifteen and you are seventeen, sitting in my living room listening to records, maybe we also forget the word husband. You are just a boy with grown man scars. I am only a girl biting my nails, chewing at the cuticles, wishing that boy would lean down and kiss me, but fearing. Fearing if he does, it means we need more words for you and me. And if you hold my hand, are we steady? If I wear your coat wrapped around me in the dark, what will be a word for that?

First published in Whiskey Fish Review.

2010s · Poetry

How She Will Be Remembered

Before he left, she offered a box of light
a spectrum of color against his black;

red scraped from her pulsing veins
orange plucked from her sunset sky

yellow combed out from her morning hair
green cut from the edge of her irises

blue pulled from the song in her ears
indigo peeled from her darkest night

and violet picked from her truest words.
She tied them with her blind-heart kisses

and let him steal her rainbowed sky.
Let him pour them out into his grays—

let him remember her only in this way.

First published in The Bastille.

2010s · Conversations with Gravel · Poetry

Comfort of Cars at Night

Street lights pass one-two-three-four
light-dark, light-dark, one-two-three
white dim passing car windows three-four
left hand on the steering wheel two-three
right hand in mine one-two your night lit face
glows, flickers two-three-four dark calm
in your eyes caught tree shadows reaching
one-two across your face three-four
for days two-three I kissed you in the dark
one-two you turn the wheel slow three-four
my hips press towards you one-two
left arm against your right, you squeeze
two-three tighter between my fingers
three-four I see beauty in your shadows
one-two you whisper, “I’m lost” two-three
you slow brake one-two-three draw S.O.S.
on dirty glass three-four my feet press
against the floor two-three I whisper back
two-three-four I’m here one-two right here

First published in Spectrum 7: What’s Your Heaven?

2010s · Poetry

The Congregation (at Open Mic)

I attend church on Thursday nights
we buy coffee or tea sit in hard chairs or stools
we come like my hippie parents
in blue jeans and tennis shoes

there is no preacher but we all pray
one at a time we stand at the pulpit
with guitars and poems, notepads and piano keys
we pray to each other

we say, I have loved–I have hated
I have sinned–I have enjoyed it
I have hurt–I have broken
I have lied–I have told truth

we sing it loud–we sing it quiet
we come to heal here with our hearts open
we hold out our souls up high to God
we are ugly–we are beautiful

we take turns–we hear each other pray
and we mean it–we need to believe it
we clap and say amen or know we have felt it
right down there where all the truth lies

I feel it all here– all God’s creation
the young and the old–we all come as we are
I come to pray here with my eyes open
I feel God here as real as any congregation

First published in Long Beach Underground.