I’m very excited to be a part of Bloodlust II: the Reckoning. Come out and see the entire show or the Heartbreak Anthology Reading at 7:00!
I’m very excited to be a part of Bloodlust II: the Reckoning. Come out and see the entire show or the Heartbreak Anthology Reading at 7:00!
This anthology has so many incredible poets and poetry, like G. Murray Thomas, Daniel McGinn, Marianne Stewart, Anna Badua, Raundi Moore-Kondo, RD Armstrong, Zack Nelson-Lipiccolo! I completely recommend investing in it! My poem, “Summer Drunk”, is on page 156.
Check out my poem on Cadence Collective, about my home city, Long Beach. I moved literally more than 20 times before I was ten and started my eighth school in 5th grade. I always felt out of place because we were really poor and pretty much homeless (not one of our own) for a few years. Then in 1984, we moved to Long Beach to a duplex in an alley off 7th and Junipero. It wasn’t a nicer place, but our tornado lives just blended in with the rest of my surroundings. (Which is what Child of the Alleyway is about.)
I moved to North Long Beach for middle school and high school. It felt more like a normal life than anything I’d know before then. After high school, I moved back to the South Bay area for a while, but it never felt like home. I returned to Long Beach in ’98 and have lived in almost each corner of it. It still makes sense to me. It’s diverse and messy and cultured and poor and familied and wealthy and gangster and ghetto and historic and avenued and civic and artsy and we all mix together in this beautiful stew.
I am honored to have 3 of my poems featured on Ishaan Literary Review! I hope you enjoy!
Child of the Alleyway
Night Swimming as Ceremony
Seventy-Five Hours
I wish I had a sonic screwdriver
I wish I had a magic wand
I wish I had a time machine
or pixie dust or a book of spells
I wish I had a genie lamp
I wish I had the holy grail
I wish I had a flying carpet
or a portal or an Atlantis key
I wish you were three
in the back seat of my car
singing an 80s Cure song
I wish you were sixteen
driving with me to open mic
singing an 80s Cure song
I wish my love was enough
I wish you weren’t there
I wish you and me were anywhere
far and away anywhere else
5-2-13
He was a redhead, freckle-faced boy.
His eyes were pale blue emptiness.
Fair skinned with blonde eyebrows
that got lost on his forehead.
He squinted all the time,
when he looked at you,
when he listened.
He was inarticulate and lacking grace.
He was a white-trash junkyard kid lost
in the wilderness of waist high grass and bamboo.
Lost in punk rock and Billy Idol snarls,
mohawks and dog-collar studs.
He bought me a Barbie tea set
and I felt like he loved me.
I forgave him for nailing My Little Pony
to the wall with a hairspray-spiked mane.
He came to my church with a motorcycle and tattoos,
after the Marines with spaceship conspiracies
and patent worthy inventions,
with his red hair and freckled-face
and his eyes as pale as ice.
I saw him on Christmas Eve
after his release with his crystal-meth mom.
He hugged me with his sweat-lined skin
at my job at the discount store.
I sunk away from him and his toxic residue.
He called me his little sister, but I only smiled
back a discount employee smile.
I stepped back from his oozing disease
that poisoned his reasoning,
that made him eat dogs
and break into automobiles for a place to sleep.
I stepped back from the dementia
he wore like a tattooed-robe on the day before Christmas.
When in backyards as big as city blocks,
the grass grew as tall as children,
we could hide in the long blades
like rabbits resting from the bloodhounds.
We built a world of bamboo forts and yachts
through the holes in the chain link fence.
We mastered block walls between junkyards
and guard dogs and newly constructed condominiums.
We lived adjacent to a graveyard of demolished houses.
We explored the wreckage like Greek ruins.
He was my brother then in our world of demolition.
Wild and without restraint,
the games were more than hide and seek.
Truth and dare. Did I dare?
Red-haired with children in a line,
waiting to prove bravery.
I am not that kind of sister.
I left the game.
I left the decay of concrete
and steel rusted through.
I left the forts and yachts
and green blades as tall as children,
as tall as rabbits.
I left my half brother
as I went back to my work
at the discount store on Christmas Eve.
I left the disease I saw seeping through his veins.
I am not his sister.
I went back to counting money
and separating credit slips and ATMs.
I am not his sister.
3-9-01
Included in a forthcoming project called Please Judge: Short Stories Based on the Songs of Roky Erickson.
Some people are better off
never to be seen again
a thought I never thought
until tonight at the grocery store
I saw you by the bottled juices
with your blushing bride
in her child like naiveté
pushing a cart of potato buds
your voice got softer, almost queer
like she tamed your wilderness
I once knew as your wicked smile
I can’t help but wonder
how she erased the shadows
and smoothed out your wrinkles
I guess it’s only fair
you found your redemption at last
and me and my continuous journey
still hoping and getting burned
by similar lies like you
why did you have to meet my eyes
as if you still had the power
to climb in and destroy all mine
you go on now-I am passing by
we’ll never be mutual companions
not if I had my way
I just called to tell you
Sue’s transferring soon
To tell you she’ll be gone
I just called because I was hoping
You’d want me to come over
I just called to tell you
I made you a tape of songs
Because I don’t like you
And I am so moving on
I just called because
There is a movie I thought you’d like
It’s playing Friday night
“Sick and Twisted”- just your type
If you’re not busy, of course
I just called to tell you
I got better things to do
Because my hormones are going crazy
And my body is this mass of sweaty tension
I just called because I’m still alone
My best friend’s still not speaking to me
And I don’t know why
I just called because
You make me forget myself
Your one-sided conversations consume
the air so I no longer have to breath
I just called to tell you
I hate this war
I think we’re wrong
To tell you about the irony
I saw on the internet
“Make a pact against violence”
As we drop bombs on Kosovo
No double standard there
I just called to tell you
How drunk I wish I was
I watched Futurama again
Did you laugh at all the things
I imagine you’d be laughing at?
I just called- I know what you must think
Desperate girl- I must confess-
I was wrong about you & I being so right
I know you cannot be all the things I need
And that’s okay
I just called because I think
This friend thing is a joke
To tell you I don’t want you
Don’t want to touch your hands
Or your arms or your neck
I don’t want to kiss a man with facial hair
To feel your tongue behind those teeth- I don’t
I just called to say hi or hello
Or whatever excuse we use
To tell you about this new band
I heard his voice- makes me horny
To tell you I lied about how much I like yours
It’s only an eight-eight and a half at best
I just called because I was hoping
We’d really stay friends
And the time you need is finite
Enough to hang around for
To tell you how I prefer my space
Much better than change
Or laughing all the time or fucking
I prefer not to share or take any unnecessary risks
On a guy who can’t ever be serious
Or passionate or vulnerable
I just called to tell you
The checks in the mail
And how I wish I lived in New York
Where people run into people on the street
But we stay in out cars and shop
In grocery stores the size of malls
I just called to ask if you were bored
And wanted some company
I hate your answering machine
5-11-99
Originally published in Things Mean A Lot at the Time, 1999
Also appeared in Eunoia Review, 11-2-13
At work he says to me, “How are you?
The last time we saw you, you ran out on
dinner. We all wondered where you went,
so we held your mom hostage.” He jokes,
all smiling up a storm like I’d have an
explanation for him like I forgot my oven
was on or left my wallet at home. But
I know I’ve seen him since that night
at a work meeting somewhere. That was
almost exactly five months ago and
I don’t bring those memories to work
with me. I don’t put the train-wreck
feeling on the player at school while
I got my authoritative hands on my hips.
So I change the subject. He doesn’t
know what an ass he’s being. Sometimes
they just don’t know.
4-19-13
Originally published in Eunoia Review, 11-4-13