2010s · Conversations with Gravel · How to Unexist · Poetry

Girl in Flight

I envy the girls
with light filled wings
They fly from breeze to breeze
pouring beams from their teeth
All men audience them
eat their smiles like candy
They breathe in love—
they breathe out love
No man ever
centers their universe

I could not be that girl for you
one with laughing eyelashes
smooth cheeks glossed
for kissing and leaving
kissing and leaving

I am unwinged, gravity locked
in oceans—not sky
teeth for crushing chains
eyes fire-fed
to burn through hurricanes

My love is anchor
my love is whale song
my love is sandpaper grit
galaxies inside pearl
volcanoes under mountain

My love does not breeze—
but tunnels into mantle
burrows into core
You want a girl in flight
laughing eyelashes
but I am unwinged gravity

First published in Indiana Voice Journal.

Events · Feature Readings

Seventeen Poems Not About a Lover Chapbook Release

Arroyo Seco Press presents Seventeen Poems Not About a Lover Chapbook Release party! 17 poems written by Sarah Thursday with lovingly crafted, paper-cut art for each poem by Alyssandra Nighswonger.
Sunday, April 29th from 4 to 6 pm at Viento Y Agua Coffeehouse, 4007 E. 4th St., Long Beach, CA. There will be guest poets, art, and books! Details TBA.
More about the collaborators:
Sarah Thursday was born, in part, from inspiration found in her collaborator, Alyssandra Nighswonger. After six years of friendship and artistic crushing, this dream project has come to life. In addition to writing poetry, Sarah founded Sadie Girl Press to help publish local and emerging poets and artists. She ran a poetry website called CadenceCollective.net, co-hosted a monthly reading with G. Murray Thomas, but still wants to find new ways to bring poetry and art into her community. She has been published in many fine journals and anthologies and received a 2017 Best of the Net nomination. Her first full-length poetry collection, All the Tiny Anchors, and her other chapbooks and CDs are available at SadieGirlPress.com. Find and follow her to learn more on SarahThursday.com, Facebook, Twitter, or Instagram.
Alyssandra Nighswonger is a multi-media artist and adventure-lover from Long Beach, CA. This project was a swan dive into the heart and a journey in itself. The thing that Alyssandra admires the most about her friend Sarah is the way she takes her own personal challenges and creates an alchemy of the heart with her raw and fearlessly beautiful poetry. For Alyssandra, who can be a lot more timid with exposing the darker side of her emotions in her music and art and tends to hide meaning behind whimsy on the regular, this collaboration was a thematic challenge. It led to creating deeper layers in the illustrations, opening them up to being cut apart, and exposing that even the cutest wolf has a shadow, which developed this work into a papercut escapade. You can explore several of her musical projects and adventures at talesofalyssandra.com or follow her instagram @alyssssandra.
17 Poems Not About a Lover · 2010s · Conversations with Gravel · Poetry

Oceans Once Receded

I was a desert woman
who learned to live on cactus boys
learned to run at night and sleep all day
knowing the burn of sky and sand

Then you came with your oceans
rivers, lakes, and waterfalls
I dove in, eyes closed
hoping you’d teach me to swim
hoping to learn your whale songs

I threw away my land shoes
swam under the stars
let my skin pucker in your waves
my desert plants were drowning
I let them bloat and drift away

Then your tsunami receded
first sudden, then steady and slow
I stood naked in your mud bed
for weeks with dripping hair,
dripping hands refused to dry

I learned to pray to wet earth
give thanks for saltwater baths
learned to hear your voice
in the night bird songs

Until even the mud left
took its soft clay from between my toes
the caked earth in my hair
began to dry and crumble
desert wind wiped all traces
of salt from my cheeks

I push myself back into desert shade
live in the evening light
I can never return to cactus fruit
when I’ve fed on fields of phytoplankton
I’ve lost the taste for prickly boys
so I may wither for a while

Until at the edge of some moment
in the pale space between sun and moon
I might hear the sound
of water rushing

First Published in Element(ary) My Dears.

2010s · Conversations with Gravel · How to Unexist · Poetry

What I Mean When I Say Run

Get out, get out
and into the world
a woman like me
would tie your hands with ropes
and hang them from her hips

Get out while you can
and let the wind carry you
a woman like me
would climb from under your boots
and into your pockets
lay you down heavy on her bed
just to rise above you

Get out and wander
be a wild bird
a woman like me
would clip your song feathers
and stuff them in her mouth
just to have your voice
seeping from her ears

Get out and make no promises
don’t even say you won’t
a woman like me
hangs on open window sills
burns her eyes on the driveway’s end
holds all your words
like collected seashells
in her cupped hands

Get out and go far
take no existing path
a woman like me
would strip you naked
press you inside of her
memorize the turn in your face
in the dim light
she’d reach in and pull
all the strength you have left

Get out
She’ll want to cut rings
from the center of your eyes
and string them like beads
around her neck

Get out
She’ll envy the breath in your lungs

Get out
She’ll put a straw to your mouth

Get out
She’ll want you empty

Get out
She’ll drain you cold as death
just so she can pour her blood
into your veins

First published in Indiana Voice Journal.

2010s · Conversations with Gravel · How to Unexist · Poetry

Elephant

We dance under the belly of the elephant
Not the dance-floor dance, but the slow move
around the words we won’t say
Move in and out of her shadow
Her dark cast allows our mouths to press our breath
around it, around the letters lost in open windows
I want you to press me full against elephant legs until
deep grooves of skin catch light
Her skin is your skin and the skin of your children
heavy with memory, pachyderm heavy
She shifts her weight and I wait for you to name her
call her out of decades, twenty-two years
You push off one finger to the other hand but
there it is in simple gold elephant eyes
Will you step out from under her
I cannot lean crouched here
swaying to your resonate voice
to the arch of your teeth
to the groove of your sleeve soft
underneath my fingertips
sliding down corduroy red

First published in velvet-tail.

2010s · Conversations with Gravel · Poetry

Passing Sounds Fade

The heavy of his arm around
her shoulders, the lack of weight—
how it sits there like a machine fitting,
clock-watch piece.
The dust in his voice lies
thick under her chest.
She knows his closet is full
and the bodies are fresh
but she presses against
the door with him. Spring
cleaning is months away. It’s fall now,
so she presses her hands to his
warm coat, her hands against
his chest feel beat to breath—
beat to breath. Close her eyes
and pray to an unknown god,
pray the planes will pass,
pray he isn’t looking back.

 

First published on Cadence Collective.

2010s · Conversations with Gravel · Poetry

Death by Rust

rust was the death of us
oxygen and iron
weather and time

hundreds of holes
have been patched
and painted over

restorations aren’t made
of well-meanings
but of follow-throughs
and time-committed

we were not
the timeless classic
we set out to be

admit it
we’ve both been driving
other cars for years

our weakened frame became
overgrown by weeds
and nesting birds
while rust spread
under the belly of us

First published in Cadence Collective.

2010s · Conversations with Gravel · How to Unexist · Poetry

Paper Airplane

We keep gnawing at roots
sopping in alcohol.
I am full. You still starve.

You want me bath-soaked,
I need you tree hollow.
So I tear at your bark skin

until you bleed spoiled sugar.
Open my fingers and peel sunset
leaves from my palms.

Spit the pulp from my tongue,
lay it flat into perfect white rectangles,
press out every last drop of rain.

Let sunlight inhale what’s left.
Even your teeth hate
how little I want to kiss you.

As you wither, I fold you in half,
crease your edges. Nose you forward.
Refuse to watch what happens next.

First published in Paper Plane Pilots.

17 Poems Not About a Lover · 2010s · Poetry

Gill Growing

I will give to you my lifesaver. You who are sinking in the ocean
alone. I didn’t see you diving over the edge, but you say you want
to sink under, feel the weight of ocean crush your chest. I know it
gets exhausting. I know because when I dove down as deep, I grew
gills. It was dark for so many years I stopped believing in sunlight.
Breath is memory. You will remember how music makes you dance,
but water keeps it from you. You can’t move through currents like
hallways. You, gill growing boy. I keep throwing down ropes but you
are not done sinking. You still need the weight, so I will wait for you.
Watch you from the surface while you walk ocean. I don’t know
when your arms will grow strong enough to pull yourself up, so I
give you my pen. Write me letters. Send them up on rays of sunlight.
I will keep them at my heart until you are ready to surface.

First published in Paper Plane Pilots.

2010s · Poetry

Fruit of Your Offspring

You were so damn handsome
in nineteen forty-two.
Dark hair and brown eyes
and that long Swedish nose.
You always stood upright,
taller than your own frame,
Navy man in an impeccable uniform.
Your native tongue was Testament
both the Old and the New,
always dressed in humble blue jeans
and that humble plaid shirt.

I was enamored with you—
we all were, the fruit of your offspring.
I laid at your feet and
pulled on your long eyelids.
The silver-gray brows hung like
eaves from your Swedish forehead.
You taught me calculator tricks,
I thought you brilliant and soft-spoken.
I loved the way your words trickled
out like a creaky faucet,
vowels lingering around the spigot.

I never believed in Santa Claus
so I believed in you,
in a man of few words
except what Jesus spoke.
When I remembered you,
you lived in a trailer-shack
on an orphanage in Mexico.
We would drive four hours
to see your leathered hands
and oil stained fingernails.

Then I grew up, just like three
of your five daughters.
I became a boy-kissing girl
with breasts and summer legs.
(Did they all disappoint you like this?)

The man who married your middle
child gave me his green eyes and more
than half of my bad memories.
So I looked to you to show me
your God’s unconditional love,
but you had no words—
I could not make you creak.
Instead you typed letters
on a silver-gray typewriter,
single and mechanically spaced.

There is no treasure here on Earth
but store all your treasure in Heaven.
Love not this world or anything in it.
Love not the woman who wants to be held.
Love not the girl who wants to wear lipstick.
Love not those who want to love this life,
who love their physical bodies,
and the pleasures of this Earth.

Ten typed pages sent as a reply—
verse by verse you sentenced me
to my worldly life, an unchosen child.
Love me not, my holy grandfather
for I was born the child of your daughter
who also once believed in you.

So, I turned your faucet off tight—
we all did. Your spigot left dark and dry.

Previously Published in Elsewhere Lit.