Honored to have my poem, “What I Mean When I Say Ageless”, included in The Four Seasons anthology published by Kind of a Hurricane Press. It includes work by local poets Kevin Kreiger and Toren Wallace. You can pick up a free PDF copy at their bookstore or buy a print copy on Amazon. Editors A.J. Huffman and April Salzano continue to produce consistent quality work. Check all the other anthologies on their site.
Tag: poetry
Like a Girl: Perspectives on Feminine Identity
Like a Girl: Perspectives on Feminine Identity is an anthology of poetry, prose, and art based on what it’s like to be a girl. I had the privilege of collaborating with co-editors, Nancy Lynee Woo and Terry Wright, on this year long labor of love. We spent countless hours sorting through hundreds of submissions, painfully narrowing the selections down to this beautiful collection. This has been by far the most challenging project I’ve worked on, stretching and honing my design and layout skills to the next level. The visuals are only half the story. The impact to the heart continues when you read the poems and stories shared by vastly talented people. Each time I get to meet one of the contributors in the book, I feel like I’ve met a old friend part of a grand feminine community.
On Sunday, October 25th, we’ll be having our second release event in our home city, Long Beach. Many contributors will be reading and sharing their art at Warehouse 1333, located at 1347 Redondo Ave in Long Beach, starting at 1 pm. Find out more on the Facebook event page or LucidMooseLit.com!
Poetry Bleeding 2015, #5
I honestly never get tired of reading poetry at the heart of my creative community, Viento Y Agua Coffeehouse and Art Gallery. Once again, I have to honor of reading for the Poetry Bleeding reading series hosted by Alan Passman on Saturday, October 3rd, starting at 7 pm. Come out, get a yummy coffee drink or smoothie (my favorite is the vanilla lavender shake), and listen to an evening of local poetry.
Silent River Poetry Summit on September 26th
The first annual “Silent River Poetry Summit” will take place at “Irvine Global Village Fest” in Irvine, California on Saturday, September 26th. I will be featuring with many other incredible poets, such as Daniel McGinn, John Gardiner, Denise R. Weuve, Lynne Thompson, Raundi Moore-Kondo, and Richard and Robbi Nester. The event is from 10-5 pm. Hosted by Kalpna Singh-Chitnis, this festival is part of the Silent River Film and Literary Society. Find out more and RSVP on Facebook.
Bill Barber Park : 4 Civic Center Plz, Irvine, California 92606
Spectrum Anthology
I am thrilled to be included in this anthology of Southern California Poets put out by Don Kingfisher Campbell. All the poems had to be under 300 characters, not words, characters, including the title! Fortunately it was a perfect home for my short poem, “How Quiet Kills”. There will be a reading of the anthology poems on September 28th, from 7 to 9 pm, the Donald Wright Auditorium inside the Pasadena Central Library on 285 E. Walnut St. You can find out more about the event and the other 136 poets at the website: spectrumpublishing.blogspot.com. You can also RSVP on Facebook.
Expressions L.A. on September 5th, 2015!
“Sarah’s style is like sweet cello strings in autumn” has to be one of the top 5 best compliments I’ve ever received. If you are anywhere near Glendale, join me on Saturday, September 5th with Kenny Copeland at Expressions L.A. from 2 to 4 pm. More details or RSVP on Facebook!
The Lost Vowels
They changed the spelling of my name—
too many vowels—when they crossed the ocean.
Maybe that’s when France was severed from me,
my father’s name simplified to the basic sounds.
It carried nothing of its history, no region or dialect,
just letters on a page that claimed I was his daughter.
Distant traces of Parisian ancestry,
to layers of circling city streets and rolling country hills,
to some thick summer air lingering
across vineyards and farmlands,
I’ve felt nothing for her.
As if vowels lost were codes in my DNA
spliced by some genetic scientist
leaving me a stranger to my own name.
I’ve never felt those ancestral threads
pulling me back in time, discover the land
of a name that never existed on its soil.
I have no love for my paternity.
Even through a Canadian migration,
through a western reach and down to California,
there is no curiosity in her truth.
I write only five letters of my American name,
five letters I have defined and redefined
a thousand times and again.
I know more of Mexico—my neighbor
who has fed me my whole life.
I know more of Long Beach—its long avenues
and dimly lit streets. I know more
of California—not the one on TV—
but the long Pacific Coast, the cliffs of Highway 101,
the endless sky of the 5 and its pink dawn
across thousands of farmlands and
hundreds of thick summer nights,
the progression of her cities, young but in love
with all of us—rich and poor,
the Britneys and the Caesars, the Tyrones
and the Isabellas, the been-theres and the dreamers.
She is my sister and my ancestor,
we create our own motherland. I’ve never
been lost to her once.
First published in The Bastille.
Katzenhatz
After a nearly unbearable wait, Katzenhatz is finally here! Fellow Long Beach publisher, Bank Heavy Press’s highly anticipated release includes many of my favorite poets and friends, including Zack Nelson-Lopiccolo, Stephanie Ervin, Danielle Mitchell, Karie McNeley, Carissa Mercado, Larry Duncan, Thomas R. Thomas, Kevin Ridgeway, Toren Wallace, Olivia Somes, and G. Murray Thomas. My poem, “To Agree Philosophically”, appears along with an interview with myself and Nancy Lynee Woo about our presses, Sadie Girl Press and Lucid Moose Lit. If that wasn’t enough, there’s one more exciting part! I also have a very rare, almost never seen, actual drawing of mine included in this publication. It’s full of art of cats in hats by poets. You will have to buy you own copy to see for yourself on Bank Heavy Tumbler. Also. give them a “Like” on Facebook!
Carnival Lit Mag, Fall 2015
Three of my poems, “If Poetry Is Parked Car”, “Good Friday Morning”, and “Sediment”, are included in the fall issue of Carnival Lit Mag, along with friends, Gerald Locklin and Thomas R. Thomas. Edited by Shannon Phillips, this virtual magazine is more than just a poetry website. Go directly to the issue here: issuu.com/carnivalitmag/docs/summer. Or check out the revamped website: carnivalitmagazine.net.
How I Stopped Naming Lost Things
for my birthday
This is where I don’t know what’s next
this is where I get lost in the desert
forty years of circle wandering
This is where I try to fill the cracks
this is where I see how much I can fit
how many pages I can write
how many nights of alcohol
pushing limits where I thought I’d stop
the line I wouldn’t cross
This is where I close my eyes and lay back
in the thick sea salt floating
underneath stars I can never count
This is where I stop
naming anyone friend or lover
There is where I keep stirring
the increasing mess of me
dissolve the powder
pudding-thick and ready to serve
This is where I am the forest fire and
the arsonist and the fireman
mask wearing and sweating smoke
This is where the word you
is cut out in tiny rectangles
and collected in bags for confetti
where I forget what clocks I am watching
what timeline I had to follow
all the things called age appropriate
This is where I am done
and done and done knowing
that I ever knew





