2010s · Poetry

Lament for the Atlantic

Seas of us stretch like solar
systems. On all sides
she threads charcoal death.

Space between stars is space
between islands circled in gray.
Here, even air sinks heavy
into broken-hearted eyes.

I swim from the island of highways
and high-rises to the island
of roadless hills. Neighbored only
by sea nymphs and forever sky.

Dead wind whips like anger,
like sunrise, like avalanche.
If you stand at her edge, you must stare
right into her eyes and clench your fists.

Stand at the highest point turning
from the sea of gray to the sea of green
to the sea of gray to the sea of green

to the sea of
the universe of stars.

First published in San Pedro River Review

2010s · Poetry

Murrieta

When you rise early from your wide bed
pull on your long pants, brush your porcelain teeth,
do you also decide to fill your mouth with pebbles
stuff them into your cheeks for stoning small children?

When you gather the keys to your reliable car,
drink your coffee, eat your toast and eggs,
do you then grab your territorial pissing sign,
join others pushing buses full of babies off the road?

When you kiss your mop-haired children goodnight,
stroke their cool foreheads, wish them quiet dreams,
do you tell them of slashing plastic jugs of water,
pouring it out into sand like a narrow-eyed bully?

When you brush off the knees of your own fallen children,
teach them to be fair and kind, grow up strong,
do you tell them how you dream of kicking the skins
of skinny brown legs, barely able to stand?

First published in Gutters & Alleyways: Perspectives on Poverty and Struggle 2014
*On July 2, 2014, dozens of protesters in Murrieta, CA, blocked 3 buses of refugee women and children from being processed in their facilities. In 2012, the humanitarian group No More Deaths documented border patrol officers kicking, slashing, and pouring out jugs of water left for desert crossers.

2010s · Conversations with Gravel · Poetry · The Unnamed Algorithm

Scent Stained

You are the mistake I want to make
I will wrap myself in your red flags
and let you peel them off
one silk layer at a time

You are the regret I want to have
I’ll bind you in my caution tape
lay on a bed of warning signs
cold metal against warm skin
cools your burning in my eyes

You are the fucked up mess
I want to roll around in
like a mud happy dog
drenched in your scent
I will not shake you out

How do you unsense me?

(First published in East Jasmine Review)

2010s · Poetry · The Unnamed Algorithm

The Lost Vowels

They changed the spelling of my name—
too many vowels—when they crossed the ocean.
Maybe that’s when France was severed from me,
my father’s name simplified to the basic sounds.
It carried nothing of its history, no region or dialect,
just letters on a page that claimed I was his daughter.
Distant traces of Parisian ancestry,
to layers of circling city streets and rolling country hills,
to some thick summer air lingering
across vineyards and farmlands,
I’ve felt nothing for her.
As if vowels lost were codes in my DNA
spliced by some genetic scientist
leaving me a stranger to my own name.
I’ve never felt those ancestral threads
pulling me back in time, discover the land
of a name that never existed on its soil.
I have no love for my paternity.
Even through a Canadian migration,
through a western reach and down to California,
there is no curiosity in her truth.
I write only five letters of my American name,
five letters I have defined and redefined
a thousand times and again.
I know more of Mexico—my neighbor
who has fed me my whole life.
I know more of Long Beach—its long avenues
and dimly lit streets. I know more
of California—not the one on TV—
but the long Pacific Coast, the cliffs of Highway 101,
the endless sky of the 5 and its pink dawn
across thousands of farmlands and
hundreds of thick summer nights,
the progression of her cities, young but in love
with all of us—rich and poor,
the Britneys and the Caesars, the Tyrones
and the Isabellas, the been-theres and the dreamers.
She is my sister and my ancestor,
we create our own motherland. I’ve never
been lost to her once.

First published in The Bastille.

17 Poems Not About a Lover · 2010s · Conversations with Gravel · Poetry

How I Stopped Naming Lost Things

for my birthday

This is where I don’t know what’s next
this is where I get lost in the desert
forty years of circle wandering

This is where I try to fill the cracks
this is where I see how much I can fit
how many pages I can write
how many nights of alcohol
pushing limits where I thought I’d stop
the line I wouldn’t cross

This is where I close my eyes and lay back
in the thick sea salt floating
underneath stars I can never count
This is where I stop
naming anyone friend or lover

There is where I keep stirring
the increasing mess of me
dissolve the powder
pudding-thick and ready to serve

This is where I am the forest fire and
the arsonist and the fireman
mask wearing and sweating smoke

This is where the word you
is cut out in tiny rectangles
and collected in bags for confetti
where I forget what clocks I am watching
what timeline I had to follow
all the things called age appropriate

This is where I am done
and done and done knowing
that I ever knew

2010s · Anchors (Poetry with Music) · Conversations with Gravel · Poetry · Recordings · The Unnamed Algorithm

Love Letter No.1: To My Pit-Bull Self

I love the teeth of your love
how you pit-bull deep
into the flesh of loving
How you make shrines
in the empty spaces,
abandoned apartments
Shrines to former residents
of borrowed books and toiletries
envelopes full of photographs
and letters in pen
How you never fill
the same space with new
but keep building out
expand the frames and floors
How you know when to change the locks
and when to nail it shut

I love how you calculate
estimate the risk
How you trust
the unnamed algorithm
the intuitive push, flashing “Yes,
love this one, let that one in!”
How soft your wrought-iron grip
holds every name tight
each face, its own story
each moment, a glass in your pane
How you refuse to argue
about the wrong
or right way to love

I love how so much of it matters
how you will forgive
as many times
as they will call
and ask for it
How you defend this weakness
with the expense of wasted time
Your time-to-give being
your love currency
not words, not gifts,
not your doing-for-me
But your minutes and hours
your speak to me, eat with me
your listen and watch with me
sit in this space of air
I breathe with me is love

I love how love-greedy you get
How you collect time
and stuff it in bags and boxes
shove it on shelves, in closets
covering walls, blocking doorways
in empty apartments
You guard-dog this house
an unapologetic hoarder
How you refuse to purge it
refuse to loosen your grip
Set shrines in windowsills
light blood candles
There is always room
for more

2-3-14
Originally published in Silver Birch Press, Self-Portrait Series.
Also listen on Soundcloud.

2010s · All the Tiny Anchors · Poetry

Daylight

Your arm hit the blinds
they swung like a pendulum
brightlight
brightlight
piercing my eyes you
held up your hand
to stop the sun
to shade my face
it felt just like love
so I sunk
into you
in the silence

First published in First Literary Review East and included in All the Tiny Anchors.

2010s · All the Tiny Anchors · Anchors (Poetry with Music) · Poetry

Honey

The first time you kissed me
I should have seen it coming
You were animal-starved
pawing hungry at my hips

You were hurricane-tongued
bracing me against your mouth
I pulled up fierce to match you
claw for claw around your neck

I could not hear us breathing
deafened by your torrent eyes
I did not recognize the beast
devouring my skin like victory

I wasn’t your prey or your prize
bound to be death-squandered
I had waited beyond time for you
to lay yourself down at my feet

I had hoped for honey sweet
and slow to drench my lips
with tenderness. But I—
I should have known

First published in Pyrokinection, also included in All the Tiny Anchors
Listen on SoundCloud.

2010s · All the Tiny Anchors · Anchors (Poetry with Music) · Poetry · Recordings

5:38

I keep smiling while I read them. All three texts. Sitting at a Greek place with coworkers at a long table for fifteen. Middle aged women and their husbands are asking about you. They all want to meet the man who put stars under my skin. I just told them about the place we found with 30 minute lines down the block, where they create gourmet pizza to order. All of them want to try it. Three texts at once isn’t like you. The waiter sets the cheese on fire and everyone is opening their mouths at the flames. I’m still burning on fumes from last Sunday when you’d kissed me full enough for days. I had felt lucky all week, lucky enough for months. I read them now. I keep smiling, but I am losing the ability to hear. My head goes underwater as our table splits like an aquarium wall, everyone else on the outside. All at once I am wishing there was a magic portal to stop time, an alarm clock for waking up, cameras to be revealed as a cruel joke played. Someone must have stolen your phone, is holding you hostage, making you text those things in English I cannot translate. I have to leave immediately. I leave my coat. I leave my purse. Leave my untouched food on the plate. I try to climb into the circuits of my phone, step through satellites, make you look me in the eyes. Make you face me when you fire that gun.

 

First published in Carnival Lit Mag, also in All the Tiny Anchors.
Listen on SoundCloud.

2010s · Poetry

Sonic Screwdriver

for Josh

I wish I had a sonic screwdriver
I wish I had a magic wand
I wish I had a time machine
or pixie dust or a book of spells

I wish I had a genie lamp
I wish I had the holy grail
I wish I had a flying carpet
or a portal or an Atlantis key

I wish you were three
in the back seat of my car
singing an 80s Cure song

I wish you were sixteen
driving with me to open mic
singing an 80s Cure song

I wish my love was enough
I wish you weren’t there
I wish you and me were anywhere
far and away, anywhere else

Originally published in Carnival Lit Mag, 2014